Odeya Nini is a Los Angeles based experimental vocalist and contemporary composer. At the locus of her interest is performance practices, textural harmony, gesture, tonal animation, and the illumination of minute sounds, in works spanning chamber music to vocal pieces and collages of musique concrète. Her solo vocal work extends the dimension and expression of the voice and body, creating a sonic and physical panorama of silence to noise and tenderness to grandeur. Odeya has collaborated extensively with dancers, visual artists, filmmakers and theater directors as both a composer and soloist and has worked with and appeared in works by artists and ensembles such as Meredith Monk, Butch Morris, Lucy & Jorge Orta, wild Up and The Industry.
Odeya's work has been presented at venues and festivals across the US and internationally, such as The Hammer Museum, REDCAT, Joyce Soho, MONA and Art Basel Miami, from Los Angeles to Tel Aviv, Australia, Mongolia, Madagascar and Vietnam. She has lectured on contemporary vocal techniques and composition at the university level and leads workshops exploring the creative and healing qualities of voice and movement.
Odeya holds a BFA from the New School for Jazz and Contemporary Music and an MFA in composition from California Institute of the Arts.
September 20th, 2021 | 1 hr 21 secs
classical singing, micro actions, music business, recording session
Megan welcomes vocalist/composer Odeya Nini to give this Masterclass episode of the Studio Class podcast. They talk about Odeya's deep understanding of embodiment and physicalizing sound, unraveling habits that the body stores, the importance of being in our imagination/visualization when doing voicework, and so much more.